Have you ever watched the medical comedy/drama Scrubs on TV before? If not, you have no clue what you are missing. Imagine something that can make you laugh so hard you pee your pants, and then literally 30 seconds later having you crying for your mother because of the emotional impact the writer’s make on you with the superb script from that episode. This show was absolute comic genius, and I think it’s well worth noting the Top 5 Episodes of Scrubs:

  1. My Cake – This is the episode that begins with Dan, the brother of Scrubs’ star Dr. John Dorian (played by Zach Braff) showing up at his apartment door with a cake. The next line, “Dad died,” takes what seemed like it was to be a light-hearted moment and turns it on its head as we’re taken through how the Dorian family deals with death. This episode also show us how Carla & Turk find out that Turk has Type II Diabetes, and how he deals with it.
  2. My Philosophy – Yet again, we’re shown life through seemingly crossed-eyes from the writers of Scrubs. One eye is seeing the love story between Turk & Carla getting ready to take the next step, with Turk finally deciding to propose to Carla while the other eye sees JD bonding with a patient who has been waiting to have a heart transplant for a long, long time and is finally up to get it. If we can end our lives the way the transplant patient does, it gives me hope that the end will be as beautiful as the rest.
  3. My Fallen Idol – This is the one that takes place just after Dr. Cox has just lost three patients in a row. He takes it very, very hard and tries to drink his guilt and depression away. He makes a mistake and comes to work drunk, though, and is sent home. This crushes JD, who idolizes Dr. Cox. The rest of the team tries to bring Dr. Cox out of his funk, but in the end, it’s left up to JD.
  4. My ABC’s – A lot of people simply know this one “the Scrubs episode with the Sesame Street song.” Joshua Radin closes this episode with a haunting rendition of a normally happy and cheerful song, and it poignantly shows us that doctors are still people, and they still have feelings.
  5. My Screw Up – This is my all-time favorite episode of any TV show I have ever seen. It’s the final appearance for Brendan Fraser, who plays the brother-in-law and best friend of Dr. Perry Cox. He hasn’t made an appearance in two years, and in his last episode, it was revealed he had leukemia. I won’t spoil this episode, but I will say it had me crying like a baby when I watched it.

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Author: J. Ryan Cunningham
Article Source: EzineArticles.com
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The episode of The Biggest Loser was full of action. There were workouts, tears, yelling and much more as the latest contestants on the Biggest Loser started a new episode.

There was no gradual development in the episode, as the contestants had to start with all the strength. It was a bit frightening for the viewers. Even though, medical staff was present, people of that size and shape doing vigorous workouts is frightening. Many medical incidents can happen. It is good that they are prepared.

The episode was just after a week of the first episode of the season. The contestants have learned some great eating techniques. The first weighing reveled great results as a lot of contestants lost 20 to 30 pounds. However, the star was Mark who lost a whooping 41 pounds. Even though the results are impressive, many viewers had questions regarding the healthy stature of the contestants.

The fact that obesity is definitely more dangerous than this weight loss justified all the questions regarding how healthy is it to loose a lot of weight in such short periods. The show hung on to the standards that it has kept in the last seasons. Even though, the rules changed a bit regarding the weighing process and the elimination process, most of the rules remained the same.

In the last seasons, only the last two losers actually lost their spot. In this edition, fifty percent of the contestants have to compete for making a place in the next level. Allie, the 22 year old girl from Oklahoma was the one to go out of the show first. It was an emotional set off also. The show has been successful in providing inspiration and motivation to a lot of people. The show must get to a more realistic level and avoid being extremely frightening for becoming a mass appealer.

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Author: Jessica N King
Article Source: EzineArticles.com
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“Marriage of Figaro” is the third episode of Mad Men’s first season, having an allusion to Pete Campbell’s marriage being finalized from the previous episode where he went on a honeymoon. Once Pete makes his triumphant return to the Sterling-Cooper office as a married man, the fellow ad men of the office chastise him (making quite inappropriate remarks on the roles of women in the process) after which Pete makes a special trip over to Peggy Olsen’s desk.

Pete wants Peggy to be crystal clear that their prior romantic night together (in the first episode “Smoke Gets in Your Eyes”) was only a one-night stand, and that he is committed towards being a faithful husband now that he’s been officially married. Aside from Peggy’s controlled disappointment at something she knew would obviously be the result of her fling with Pete, there is one other large development in this episode of Mad Men involving Don Draper. His secretive past begins to unravel as Don runs into an old army buddy (from the Korean War) that identifies him as ‘Dick Whitman’ on the public transit bus.

Little known to any of the other characters in the story (including Don’s wife Betty), Dick is his legal birth name, and Don Draper is the identity that was assumed following an accident in the war where Dick was ‘killed off’ to escape an undesirable lot in life. Don (aka ‘Dick’) has been absolutely spooked by the fact that a person in his past still knows his real name, and somehow it relates to his current problems with being less than satisfied in his new life as a family man and ad man extraordinaire. While at a social party with Betty, Don opts for anti-social sulking as he further contemplates the choices he made in ‘both’ of his lives.

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Author: Kathy Mercado
Article Source: EzineArticles.com
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The sixth episode of Mad Men, titled “Babylon”, brings the crew at Sterling-Cooper into May 1960, as Peggy Olsen beings her unlikely climb up the corporate ladder past her secretarial beginnings. Peggy is able to impress the ad team with her suggestions, enough to have Don Draper start consulting with her for ad copy and the enigmatic ‘women’s perspective’ with the more female-oriented accounts Sterling-Cooper is involved with.

Elsewhere in the office, Roger Sterling and Joan Holloway keep their extramarital affairs secretive and mutually-non-committal until the white-haired Roger makes a offer to Joan to buy her an apartment. Roger being married automatically puts him off of Joan’s radar as far as a serious relationship goes, and she playfully rejects his offer to escalate their relationship, in the process putting a halt on the physical advantages of their furtive liaisons at the same time.

In coming up with an ad campaign for promoting travel to Israel, Don finds an excuse to call Rachel Menken, who he shares a mutual attraction with. Rachel is brought in to try shooting out some ideas for the Israel campaign, yet mostly serves as an excuse Don uses to try getting closer to her.

Conflicted, Rachel decides to leave Don to his ‘utopia’ of a false paradise full of advertising promises and phony aliases to try and hide the true motivations that guide him.

Don retreats back to Midge, his regular mistress, and enjoys a nigh of debauchery with Midge’s drug-obsessed artist friends in an attempt to forget about Rachel (and Betty as well). The prior discussion about ‘utopia’ that Rachel brought up comes into play in future episodes where Don and Betty seemingly have a great life when viewing things from the outside, but as the original Greek for ‘utopia’ translated as ‘a non-place’, the facsimile of life that Don creates around him has always been bound to shatter.

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Author: Kathy Mercado
Article Source: EzineArticles.com
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Lost episode names with regards to the popular ABC show often times have very deep meanings that act as virtual Easter eggs (intentional hidden messages) that reveal insights and clues about particular episodes as well as greater overarching themes.

In the history of what can best be described as televised cinema there has never been a storyline as utterly complex as the one featured over the course of six seasons of the show Lost. The program is masterfully orchestrated in such a way that devoted fanatics have almost unlimited amounts of study that can be performed to better understand subtle nuances while at the same time casual fans can autonomously enjoy any given episode because of the innate character development and well crafted dialogue.

Considering the complicated nature of the hit show Lost it is actually an amazing feat that the program has sustained the viewer-ship that it has enjoyed. As television has evolved the niche programming for narrowly targeted shows has by and large fallen to the wayside for the widely appealing programming of shows like American Idol. The creators and producers of Lost have proven that when properly executed a television show can be smart, dramatic, and provide sustainable success.

With regards to the significance of Lost episode names (of which there are over a hundred) it should be first be noted that not every single episode has a meaningful title with deep undertones. The series begins with innocuous titles of “Pilot: Part 1” and “Pilot: Part 2.” On the flip side there is a surplus of very interesting titles that are certainly worth delving into for greater insight about the macro themes of the program. While this particular article is no where near long enough to properly address the full scope of all notable Lost episode names there is space to mention a few titles worthy of additional research.

The season 3 finale that first aired in May of 2007 is titled “Through the Looking Glass” and provides a double meaning as it relates to both the final moments of beloved character Charlie and the 1871 sequel (Through the Looking Glass) to the well known 1865 novel Alice’s Adventures in Wonderland – both by Lewis Carroll. Odd images and creators in a strange land encountered by characters as they unknowingly tumble through a rabbit hole of curiosities are but a few of the commonalities between the nineteenth century novel and the twenty-first century Lost episode.

Season 3 also opens with an episode named after a literally reference. That episode is titled “A Tale of Two Cities,” paying homage to the classic 1859 novel of the same name by Charles Dickens (the most printed original English book of all time). The season 3 episode and the treasured piece of literature share similar themes regarding demoralization, revolution, and brutality. While the Dickens novel notably compares social parallels between life in Paris and life in London during the same period (the French revolution) the parallels in Lost are between life on the mystical island and life off of the isolated island.

While other historical titles of literature can be cited as Lost episode names (“Catch- 22”: episode 66 and acclaimed Joseph Heller novel) and other episodes owe their namesakes to literary devices [“Deus Ex Machina” (a Latin phrase): season 1 episode title and plot device first implemented in ancient Greek tragedies] some of the most interesting Lost episode names are those that relate to science fiction theories like the well known season 5 episode: “Whatever Happened, Happened.”

“Whatever Happened, Happened” wrestles with the concept of altering the past to change the future and is a principal component behind the discussion of the bootstrap paradox which is also widely known as the ontological paradox. This paradox theory addresses hypothetical circumstances from a very practical position. As an example, if someone in the year 2010 built a time machine and went back to the 1850s and delivered Charles Dickens a copy of “A Tale of Two Cities” which Charles then recopied in his own handwriting and published as his original work (could have happened?) then who would be the true author of the masterpiece? Needless to say it does not take very long for these types of questions to make even the most analytical head spin.

The timeless charm of the show Lost is that it has ushered in a new wave of optimism in terms of believing that innovations in entertainment continue to be possible. While the symbolism behind Lost episode names may be nothing more than a mild curiosity for the most inquisitive fans it is indicative of the many greater modernizations that the creators of the show Lost have introduced to television and the entertainment industry at large.

With the airing of season 6 in 2010 there are many Lost questions final season viewers will be looking for answers to, specifically the back story regarding Jacob’s nemesis. For 5 seasons it has seemed that for every one questions answered five more would pop up.

Readers of this article that are interested in further information about the reasoning behind Lost episode names or the Cliffs Notes for any Lost season synopsis are encouraged to continue their quest for information online where they will undoubtedly find a wealth of knowledge.

Author: Sam Noffs
Article Source: EzineArticles.com
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